Born in 1994 in Taipei, Taiwan.

Yu-Hsuan currently lives and works in Taipei as an independent curator. He graduated from Taiwan National University of the Arts with an MA in producing culture and curating. With multifaceted practices stemming from his diverse roles, Lin questions how artists within a system can find balance between the power of the individual and the experience of the collective; further probing into the contemporary issue, “How I became Us.” He has long dedicated himself to investigating structures of production in the art ecosystem of today, and researching in depth the cultivation of young artists, and generation gaps. His multifarious artistic fabrication and curation allow him to leave behind traces of his existence.

 

Lin’s curatorial practices included Measured in Feet (Hong-gah Museum, Taipei, 2023), I use my body to draw an island (Taoyuan Museum, Taoyuan, 2023), Into a Compound Scene (New Taipei Gallery, New Taipei, 2023), Detour (Taipei Artist Village, Taipei, 2021), Guerrillas (VT Artsalon, Taipei, 2018), The Taipei Dream (Taipei Fine Arts Museum, Taipei, 2018), Notice of Removal (Sian-Guang 2nd Village, Taoyuan, 2018), Pigs don't Fly (Kuandu Museum of Fine Arts, Taipei, 2018), Aerobraking (The Pier-2 Art Center, Kaohsiung, 2017), and Inexpressible Signs of Subjects and Mediums Archeology (Yo-Chang Art Museum, Taipei, 2017). In 2019 he initiated the discussions: The Demand from Young Artists in VT Artsalon (Taipei) and Sin-Pink Pier (Kaohsiung), and published a series of articles on ARTouch. He was the curatorial assistant of Assembly of Communities: MIX (Museum of Contemporary Art Taipei, Taipei, 2020) and Mille-feuille de camélia (ARKO Art Center, Seoul, 2016). He also chaired the research project Curating and Art Organizations in Taiwan: A Proposal of Empowerment in Curating. He was the winner of Curator’s Incubator Program @ Museums (NCAF, 2021), Call For Curatorial Proposals (TCAC, 2022), and the Curator Residency Program (Tokyo Arts and Space, 2023).

​

​

林裕軒，1994年出生，工作居住於臺灣臺北，畢業於國立臺北藝術大學藝術跨域研究所策展組，現為獨立策展人。林裕軒以多角度的策動，思考在系統中的我們，如何在社會的集體經驗中平衡個人的身體能量，並進一步思考「我如何成為我們」這一命題。同時關注於當代社會的生產結構，並深入研究藝術工作者的養成與世代命題，試圖以策劃的方式，來對自己的見證與經歷留下痕跡。

 

策劃過的重要展演活動包括「一百坪的散步練習」（2023，鳳甲美術館）、「我用身體畫座島」（2023，桃園市立美術館）、「持景行走」（2023，新板藝廊）、「繞道而行」（2021，台北國際藝術村）、「游擊隊」（2018，台北非常廟藝術空間）、「空氣煞車」（2017，高雄駁二特區當代館）、「不可言說的生命印記－媒介考古學」（2017，台北有章藝術博物館）、「台北夢」（2018，台北市立美術館）、「不會飛的豬」（2018，台北關渡美術館）等，也在「Mille-feuille de camélia」（2016，首爾ARKO ART CENTER）、「合力組裝米克斯」（2020，台北當代藝術館）等展覽擔任策展助理，曾進行「臺灣策展與藝文組織研究：一個策展培力提案」研究案以及策劃「年輕藝術家的實質需求」討論會，並撰寫其相關文章發表於典藏ARTouch。也曾獲國藝會策展人培力＠美術館專案、桃園市兒童美術館徵件案、日本Tokyo art and space策展人駐村項目。